Tracklist
album info:
Verified yes
Discs1
Rank−
Released2015-08-26
Record labelUniversal/Def Jam
Charts
AddedAugust 29th, 2015
Last updatedSeptember 21st, 2021
AboutFour Pink Walls is the debut extended play (EP) by Canadian singer Alessia Cara. It was released on August 26, 2015 through Def Jam. With all songs containing writing by Cara, the preview of her upcoming debut studio album Know-It-All also includes major songwriting and production contributions from the duo Pop & Oak.
Garnering positive reviews upon its release, Four Pink Walls reached number 11 on the Canadian Albums Chart and number 31 on the United States Billboard 200 chart. The EP has sold 12,000 copies in the US as of October 2015. The single "Here" from the EP became Cara's first top five hit on the Hot 100.
A series of slow-tempo R&B and bouncy pop songs, Four Pink Walls feels "more like a personal manifesto than a party playlist", explains Brittany Spanos of Rolling Stone. It opens with the joyous "Seventeen", which was described by Spanos as a "savvy update" of the songs "At Seventeen" by Janis Ian and Fleetwood Mac's "Landslide". Containing big beat drums, a vocal loop, a simulated handclap, and rousing chords, the song regards Cara, singing with an annoyed attitude, listening to her parents and valuing her childhood. While being accepting, she responds to her mother's advice about staying grounded with "Yeah, I guess that sounded nice when I was 10." The song was written when Cara was about eighteen: "It was a whole bunch of feelings. We got to talking in the studio with my dad and Sebastian — we all came up with this thing, like, let's write about how life goes by really fast. My dad brought up that idea, and that's why the first line is, 'My daddy says that life comes at you fast.'" The track is followed by "Here", which displays Cara in a miserable experience at a party as an "anti-social pessimist" singing worryingly with samples of Portishead and Isaac Hayes and a minor key piano loop.
The rest of Four Pink Walls consist of retro-style soul tracks with Cara's vocals being resembling to Amy Winehouse. A song about wanting to do anything for someone, including being a runaway with them, "Outlaws" includes bright, "burping" horn stab and tinkling, modern Motown-esque keys backing Cara singing that her boyfriend is "the shine into her star." The most pop-sounding track on the release is "I'm Yours", which was written on a guitar in New Jersey on a curb next to a garbage can. Initially a guitar ballad, Cara said that she had always want to write a happy love song that "that wasn't nice — kind of like an 'eff you' love song." With its "fluttery melodies and earthshaking chorus", it represents Cara being anti-social towards a guy and is "more poutily flirtatious than anything else", as Pitchfork Media's Jonah Bromwich writes.
The EP closes with the boom bap neo soul title track, noted by Bromwich to be most similar to "Here". Coming up with the idea of the song at the beginning of her career, Cara had written much of it during her increasing popularity: "I didn't want to wait for the next album or the next project to put it out. I wanted to tell the story while it was happening." The rest of the song was written one day while driving to the studio. With elements of Lauryn Hill and Erykah Badu on her comfortable vocal delivery, the title song involves Cara singing over a breakbeat and humming synthesizer about her sudden popularity, saying that she went "from 'when boredom strikes' to 'Ms. Star on the Rise". She also sings, "But those four pink walls, I kind of miss them, man", the "four pink walls" representing her bedroom, where she recorded her first clips she uploaded to YouTube that got her discovered by Def Jam.
Garnering positive reviews upon its release, Four Pink Walls reached number 11 on the Canadian Albums Chart and number 31 on the United States Billboard 200 chart. The EP has sold 12,000 copies in the US as of October 2015. The single "Here" from the EP became Cara's first top five hit on the Hot 100.
A series of slow-tempo R&B and bouncy pop songs, Four Pink Walls feels "more like a personal manifesto than a party playlist", explains Brittany Spanos of Rolling Stone. It opens with the joyous "Seventeen", which was described by Spanos as a "savvy update" of the songs "At Seventeen" by Janis Ian and Fleetwood Mac's "Landslide". Containing big beat drums, a vocal loop, a simulated handclap, and rousing chords, the song regards Cara, singing with an annoyed attitude, listening to her parents and valuing her childhood. While being accepting, she responds to her mother's advice about staying grounded with "Yeah, I guess that sounded nice when I was 10." The song was written when Cara was about eighteen: "It was a whole bunch of feelings. We got to talking in the studio with my dad and Sebastian — we all came up with this thing, like, let's write about how life goes by really fast. My dad brought up that idea, and that's why the first line is, 'My daddy says that life comes at you fast.'" The track is followed by "Here", which displays Cara in a miserable experience at a party as an "anti-social pessimist" singing worryingly with samples of Portishead and Isaac Hayes and a minor key piano loop.
The rest of Four Pink Walls consist of retro-style soul tracks with Cara's vocals being resembling to Amy Winehouse. A song about wanting to do anything for someone, including being a runaway with them, "Outlaws" includes bright, "burping" horn stab and tinkling, modern Motown-esque keys backing Cara singing that her boyfriend is "the shine into her star." The most pop-sounding track on the release is "I'm Yours", which was written on a guitar in New Jersey on a curb next to a garbage can. Initially a guitar ballad, Cara said that she had always want to write a happy love song that "that wasn't nice — kind of like an 'eff you' love song." With its "fluttery melodies and earthshaking chorus", it represents Cara being anti-social towards a guy and is "more poutily flirtatious than anything else", as Pitchfork Media's Jonah Bromwich writes.
The EP closes with the boom bap neo soul title track, noted by Bromwich to be most similar to "Here". Coming up with the idea of the song at the beginning of her career, Cara had written much of it during her increasing popularity: "I didn't want to wait for the next album or the next project to put it out. I wanted to tell the story while it was happening." The rest of the song was written one day while driving to the studio. With elements of Lauryn Hill and Erykah Badu on her comfortable vocal delivery, the title song involves Cara singing over a breakbeat and humming synthesizer about her sudden popularity, saying that she went "from 'when boredom strikes' to 'Ms. Star on the Rise". She also sings, "But those four pink walls, I kind of miss them, man", the "four pink walls" representing her bedroom, where she recorded her first clips she uploaded to YouTube that got her discovered by Def Jam.