Some people think they jive me,
But I know they must be crazy
Can't see their misfortune,
Maybe if they're lazy
Walk throughout the fire,
Fly throughout the smoke
See my enemy,
At the end of their rope
Walk on piles of needles
See what they can do
Walk on gilded splinters
With the King of the Zulus
Walk to me, get it, come, come
Walk on gilded splinters
Walk to me, get it, come, come
Walk on gilded splinters
Here I go, now
Til I murder, til I'm dead
I rode out my coffee
By drinking poison from my chalice
Propped against my faith
I drink oil for my malice
Meet me on your doorstep
Soon we'll be in the gutter
Melt you just like butter
I'll make you stutter
Walk throughout the fire
Fly throughout the smoke
See my enemy at the end of the rope
Walk on piles of needles
See what they can do
Walk on gilded splinters
With the King of the Zulus
Walk to me, get it, come, come
Walk on gilded splinters
Walk to me, get it, come, come
Walk on gilded splinters
Til I murder, til I'm dead
Walk to me, get it, come, come
Walk on gilded splinters
Walk to me, get it, come, come
Walk on gilded splinters
But I know they must be crazy
Can't see their misfortune,
Maybe if they're lazy
Walk throughout the fire,
Fly throughout the smoke
See my enemy,
At the end of their rope
Walk on piles of needles
See what they can do
Walk on gilded splinters
With the King of the Zulus
Walk to me, get it, come, come
Walk on gilded splinters
Walk to me, get it, come, come
Walk on gilded splinters
Here I go, now
Til I murder, til I'm dead
I rode out my coffee
By drinking poison from my chalice
Propped against my faith
I drink oil for my malice
Meet me on your doorstep
Soon we'll be in the gutter
Melt you just like butter
I'll make you stutter
Walk throughout the fire
Fly throughout the smoke
See my enemy at the end of the rope
Walk on piles of needles
See what they can do
Walk on gilded splinters
With the King of the Zulus
Walk to me, get it, come, come
Walk on gilded splinters
Walk to me, get it, come, come
Walk on gilded splinters
Til I murder, til I'm dead
Walk to me, get it, come, come
Walk on gilded splinters
Walk to me, get it, come, come
Walk on gilded splinters
song info:
Verified yes
LanguageEnglish
GenreRock
Rank−
Duration00:05:24
Charts
Copyright ©AT LAST PUBLISHING CO., Warner Chappell Music
WriterJohn Creaux
Lyrics licensed byLyricFind
AddedMay 30th, 2008
Last updatedMarch 7th, 2022
About"I Walk on Guilded Splinters" (sometimes "I Walk on Gilded Splinters" or "Walk On Gilded Splinters") is a song written by Mac Rebennack using his pseudonym of Dr. John Creaux. It first appeared as the closing track of his 1968 debut album Gris-Gris, credited to Dr. John the Night Tripper. The song has subsequently been recorded by many other musicians, including Cher, Marsha Hunt, Johnny Jenkins, Humble Pie, the Allman Brothers Band, Paul Weller and Jello Biafra.
According to Broadcast Music, Inc. (BMI), the legal title of the song is "I Walk on Guilded Splinters". The original liner notes for Gris-Gris contained several unconventional spellings, such as "dreged" and "reincannted", and many later versions of the song have used the orthodox spelling ",Gilded," rather than ",Guilded,".
Dr. John stated that the song was based on a traditional voodoo church song. He said: "It's supposed to be 'Splendors', but I turned it into 'Splinters'... I just thought splinters sounded better and I always pictured splinters when I sung it." The New Orleans musician Coco Robicheaux, whose name is called out in the song, said:
"Dr. John, he was very much interested in metaphysics... In voodoo they call the gilded splinters the points of a planet. Mystically they appear like little gilded splinters, like little gold, like fire that holds still. They're different strengths at different times. I guess it ties in with astrology, and influence the energy. That's what that's about."
The sessions for the Gris-Gris album took place in the Gold Star Studios in Los Angeles, California. The album aimed to combine various strains of New Orleans music. It centred on a character named "Dr. John" who was based on a 19th-century healer called Dr. John Montaine, who claimed to be an African potentate. The musicians mostly originated from New Orleans, and as well as Rebennack (vocals, keyboards, guitar, percussion) included arranger and record producer Harold Battiste (bass, clarinet, percussion), together with Richard 'Didimus' Washington (guitar, mandolin, percussion), Plas Johnson (saxophone), Lonnie Boulden (flute), Steve Mann (guitar, banjo), Ernest McLean (guitar, mandolin), Bob West (bass), Mo Pedido (congas), John Boudreaux (drums), and backing singers who included Jessie Hill, Ronnie Barron, Shirley Goodman, and Tami Lynn.
Critic Richie Unterberger wrote that "I Walk On Guilded Splinters" was "the album's most durable song, a creepy voodoo soup that both smoldered with ominous foreboding and simmered with temptations of sensual delights." Tom Moon of Rolling Stone described the track as "a masterpiece of vibe that has retained its aura even after being sampled and covered every which way. An ambling processional framed by a simple pentatonic guitar melody, it's everything you want in voodoo music: a feast of pummeling drums, swirling ethereal voices and the patient, mumbled incantations of Dr. John, all coalescing into the sound of a solemn, revelatory ritual." Thom Jurek, at Allmusic, also described it as the album's masterpiece, stating:
"Dr. John is brazen about the power of his spells in a slippery, evil-sounding boast. Congas, tom-toms, snaky guitar, and harmonica underscore his juju, while a backing chorus affirms his power like mambo priestesses in unison. A ghostly baritone saxophone wafts through the turnarounds. Droning blues, steamy funk, and loopy R&B are inseparably entwined in its groove."
An edited version of the song was released in 1969 as a single on the Atlantic label by Cher, produced by Jerry Wexler. It was also included on her album, 3614 Jackson Highway. The Gris-Gris recordings had taken place in studio time originally reserved for Sonny & Cher, and had been issued on the Atlantic subsidiary label Atco.
In the UK and Europe, a version of the song was released by Marsha Hunt as a single on Track Records in 1969. The recording was arranged and produced by Tony Visconti, and the single reached no.46 on the UK singles chart.
Johnny Jenkins recorded the song as the opening track on his 1970 album Ton-Ton Macoute!, produced by, and featuring, guitarist Duane Allman. It was issued as a single by Capricorn Records, and was later sampled by Beck in his 1993 song "Loser". The recording with Jenkins also featured on the Duane Allman album An Anthology Volume II, released in 1974. Long after Duane Allman's death, the Allman Brothers Band performed the song at their 2004 concert at the Fox Theatre, Atlanta, issued as part of their Instant Live album series.
"I Walk on Gilded Splinters" was recorded, in a version lasting over 23 minutes, by Humble Pie on their 1971 live album Performance Rockin' the Fillmore. The song was also recorded by the band Widespread Panic on their 1999 live album, Another Joyous Occasion. Paul Weller recorded the song on his 1995 album Stanley Road.
Jello Biafra recorded the song in a 13-minute version on his live album of New Orleans-related soul and rock covers, Walk on Jindal's Splinters. Although the recording itself is a straight cover of the song, Biafra's play on the song title for the album itself is meant to insult Louisiana governor Bobby Jindal.
The Drive-By Truckers recording ' Ever South' from their 2016 release 'American Band' features a rhythm track emulating the original 'Gris-Gris' recording.
Louisiana native Malcolm "Papa Mali" Welbourne offers an authentic, yet unique spin on "lWOGS" on his 1999 album, "Thunder Chicken" by Papa Mali & The Instagators, on Fog City records. They tempo-shift the groove down a gear or two...& it works splendidly.
According to Broadcast Music, Inc. (BMI), the legal title of the song is "I Walk on Guilded Splinters". The original liner notes for Gris-Gris contained several unconventional spellings, such as "dreged" and "reincannted", and many later versions of the song have used the orthodox spelling ",Gilded," rather than ",Guilded,".
Dr. John stated that the song was based on a traditional voodoo church song. He said: "It's supposed to be 'Splendors', but I turned it into 'Splinters'... I just thought splinters sounded better and I always pictured splinters when I sung it." The New Orleans musician Coco Robicheaux, whose name is called out in the song, said:
"Dr. John, he was very much interested in metaphysics... In voodoo they call the gilded splinters the points of a planet. Mystically they appear like little gilded splinters, like little gold, like fire that holds still. They're different strengths at different times. I guess it ties in with astrology, and influence the energy. That's what that's about."
The sessions for the Gris-Gris album took place in the Gold Star Studios in Los Angeles, California. The album aimed to combine various strains of New Orleans music. It centred on a character named "Dr. John" who was based on a 19th-century healer called Dr. John Montaine, who claimed to be an African potentate. The musicians mostly originated from New Orleans, and as well as Rebennack (vocals, keyboards, guitar, percussion) included arranger and record producer Harold Battiste (bass, clarinet, percussion), together with Richard 'Didimus' Washington (guitar, mandolin, percussion), Plas Johnson (saxophone), Lonnie Boulden (flute), Steve Mann (guitar, banjo), Ernest McLean (guitar, mandolin), Bob West (bass), Mo Pedido (congas), John Boudreaux (drums), and backing singers who included Jessie Hill, Ronnie Barron, Shirley Goodman, and Tami Lynn.
Critic Richie Unterberger wrote that "I Walk On Guilded Splinters" was "the album's most durable song, a creepy voodoo soup that both smoldered with ominous foreboding and simmered with temptations of sensual delights." Tom Moon of Rolling Stone described the track as "a masterpiece of vibe that has retained its aura even after being sampled and covered every which way. An ambling processional framed by a simple pentatonic guitar melody, it's everything you want in voodoo music: a feast of pummeling drums, swirling ethereal voices and the patient, mumbled incantations of Dr. John, all coalescing into the sound of a solemn, revelatory ritual." Thom Jurek, at Allmusic, also described it as the album's masterpiece, stating:
"Dr. John is brazen about the power of his spells in a slippery, evil-sounding boast. Congas, tom-toms, snaky guitar, and harmonica underscore his juju, while a backing chorus affirms his power like mambo priestesses in unison. A ghostly baritone saxophone wafts through the turnarounds. Droning blues, steamy funk, and loopy R&B are inseparably entwined in its groove."
An edited version of the song was released in 1969 as a single on the Atlantic label by Cher, produced by Jerry Wexler. It was also included on her album, 3614 Jackson Highway. The Gris-Gris recordings had taken place in studio time originally reserved for Sonny & Cher, and had been issued on the Atlantic subsidiary label Atco.
In the UK and Europe, a version of the song was released by Marsha Hunt as a single on Track Records in 1969. The recording was arranged and produced by Tony Visconti, and the single reached no.46 on the UK singles chart.
Johnny Jenkins recorded the song as the opening track on his 1970 album Ton-Ton Macoute!, produced by, and featuring, guitarist Duane Allman. It was issued as a single by Capricorn Records, and was later sampled by Beck in his 1993 song "Loser". The recording with Jenkins also featured on the Duane Allman album An Anthology Volume II, released in 1974. Long after Duane Allman's death, the Allman Brothers Band performed the song at their 2004 concert at the Fox Theatre, Atlanta, issued as part of their Instant Live album series.
"I Walk on Gilded Splinters" was recorded, in a version lasting over 23 minutes, by Humble Pie on their 1971 live album Performance Rockin' the Fillmore. The song was also recorded by the band Widespread Panic on their 1999 live album, Another Joyous Occasion. Paul Weller recorded the song on his 1995 album Stanley Road.
Jello Biafra recorded the song in a 13-minute version on his live album of New Orleans-related soul and rock covers, Walk on Jindal's Splinters. Although the recording itself is a straight cover of the song, Biafra's play on the song title for the album itself is meant to insult Louisiana governor Bobby Jindal.
The Drive-By Truckers recording ' Ever South' from their 2016 release 'American Band' features a rhythm track emulating the original 'Gris-Gris' recording.
Louisiana native Malcolm "Papa Mali" Welbourne offers an authentic, yet unique spin on "lWOGS" on his 1999 album, "Thunder Chicken" by Papa Mali & The Instagators, on Fog City records. They tempo-shift the groove down a gear or two...& it works splendidly.
Album Details
![Paul Weller - Stanley Road [1995]](https://cdn.lsistatic.com/img/pixel.gif){kind=tracking}