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Eartha Kitt

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GenreJazz, Pop, Blues
AboutEartha Mae Kitt (January 17, 1927 – December 25, 2008) was an American singer, actress, dancer, activist, voice actress and comedian, known for her highly distinctive singing style and her 1953 recordings of "C'est si bon" and the enduring Christmas novelty smash "This Year's Santa Baby - Eartha Kitt", which were both US Top 10 hits. Orson Welles once called her the "most exciting woman in the world".

Kitt began her career in 1943 and appeared in the 1945 original Broadway theatre production of the musical Carib Song. In the early 1950s, she had six US Top 30 hits, including "Uska Dara" and "I Want to be Evil". Her other notable recordings include the UK Top 10 hit "Under the Bridges of Paris" (1954), "Just an Old Fashioned Girl" (1956) and "Where Is My Man" (1983). She starred in 1967 as Catwoman, in the third and final season of the television series Batman. In 1968, her career in America suffered after she made anti-war statements at a White House luncheon. Ten years later, she made a successful return to Broadway in the 1978 original production of the musical Timbuktu!, for which she received the first of her two Tony Award nominations. Her second was for the 2000 original production of the musical The Wild Party. Kitt wrote three autobiographies—Thursday's Child (1956), Alone with Me (1976) and I'm Still Here: Confessions of a Sex Kitten (1989). She also played Lady Eloise in 1992 film Boomerang, starring Eddie Murphy.

Kitt found a new generation of fans through her roles in the Disney films The Emperor's New Groove (2000), in which she voiced the villainous Yzma, and Holes (2003). She reprised the role as Yzma in the direct-to-video sequel Kronk's New Groove (2005), as well as the animated series The Emperor's New School (2006–2008). Her work on the latter earned her two Daytime Emmy Awards. She posthumously won a third Emmy in 2010 for her guest performance on Wonder Pets.
Kitt began her career as a member of the Katherine Dunham Company in 1943 and remained a member of the troupe until 1948. A talented singer with a distinctive voice, she recorded the hits "Let's Do It", "Champagne Taste", "C'est si bon" (which Stan Freberg famously burlesqued), "Just an Old Fashioned Girl", "Monotonous", "Je cherche un homme", "Love for Sale", "I'd Rather Be Burned as a Witch", "Kâtibim" (a Turkish melody), "Mink, Schmink", "Under the Bridges of Paris" and her most recognizable hit "Santa Baby", which was released in 1953.

Kitt's unique style was enhanced as she became fluent in French during her years performing in Europe. She spoke four languages and sang in seven, which she effortlessly demonstrated in many of the live recordings of her cabaret performances.

Eartha Kitt epitomized the idea of the sex-kitten chanteuse, rising to fame with a nightclub act centred around her slinky stage presence and her throaty purr of a voice. As much as she enjoyed vamping it up, she also projected the image of an exotic international sophisticate, especially since she sang in several different languages. She brought a definite zest to her torch songs, and favored lyrics that painted her as the Material Girl of her time. Kitt's persona was so vivid and well-developed that she remained easily identifiable well after her early-'50s heyday, and it also helped her find success as an actress in movies, TV, and theater. Even if many remember her best as one of the actresses to play Catwoman on the '60s Batman series, Kitt was always a cabaret performer at heart, one whose act translated best in a live setting. After a dramatic rise to fame from a childhood of neglect and poverty, Kitt endured a ten-year blacklisting owing to her sharp criticism of the Vietnam War. She returned to performing in the '80s and '90s, both as an actress and as a singer on the nightclub circuit.

Eartha Mae Kitt's actual origins are somewhat in doubt. It's likely she was born on January 17, 1927, on a cotton plantation in the small South Carolina town of North. A birth certificate discovered in the late '90s seemed to corroborate that information, but Kitt was never entirely sure, because she lost contact with both her parents at a very young age. Her white father (sometimes alleged to be one of the plantation owner's sons) abandoned her when she was very young, and her mother, a black sharecropper, later remarried and sent her to live with neighbors. Kitt's mother died not long afterwards. Overworked, overlooked, and teased for being biracial, Kitt was finally sent to live with an aunt in Harlem when she was eight. Although she remained at the edge of poverty, things improved somewhat, as she began piano and dance lessons, and also got some singing and acting opportunities through church. Kitt was admitted to New York's High School for the Performing Arts, but unfortunately, her home life took a turn for the worse, and her aunt threw her out. Kitt was forced to drop out of school and worked a few odd jobs to support herself.

A chance meeting with a dancer led Kitt to audition for Katherine Dunham's dance school at age 16. She won a scholarship, and went on tour with the school company all over Europe and the Americas. When the company stopped in Paris, Kitt got the chance to fill in for a singer who was too ill to perform. She was spotted by a nightclub owner who signed her on as a vocalist, and she stayed in Paris to work the cabaret circuit. There she was discovered by the legendary director Orson Welles, who called her "the most exciting woman alive" and, in 1950, cast her as Helen of Troy in his stage production Time Runs, an adaptation of Faust. Kitt returned to the United States and immediately found bookings on the New York nightclub scene, including lengthy runs at the Blue Angel and the Village Vanguard. She was also tapped for the Broadway revue New Faces of 1952, and her numbers — especially "Monotonous" — easily stole the show; they also led to a recording contract with RCA Victor.

Kitt recorded her debut album, RCA Victor Presents Eartha Kitt, in 1953, and it was a major hit, climbing into the Top Five on the LP charts. She scored a minor success with "Uska Dara (A Turkish Tale)," and had a breakout Top Ten hit that August with the French-language "C'est Si Bon (It's So Good)," which became her signature song. Her second album, That Bad Eartha, was released before the year's end, and also reached the Top Five; it featured much of her core repertoire, with songs like "I Want to Be Evil," "My Heart Belongs to Daddy," and "Under the Bridges of Paris." Kitt scored a holiday hit at the end of 1953 with the breathy, over-the-top "Santa Baby," which proved to be the biggest single of her career. It also marked the peak of her popularity; audiences who couldn't get enough of her act in 1953 were growing accustomed to her style, and she was a less dominant presence in 1954, though she did enjoy limited success with "Somebody Bad Stole de Wedding Bell (Who's Got de Ding Dong)" and the R&B-flavored "(If I Love Ya, Then I Need Ya) I Wantcha Around." She also returned to Broadway in the drama Mrs. Patterson, which earned her a Tony nomination, and made her film debut in the movie adaptation of New Faces.

Kitt's third LP, Down to Eartha, appeared in 1955 to a more muted response than her first two. She was still a top draw on the nightclub circuit, however, and found increasing success as an actress. In 1957, she starred in the Broadway show Shinbone Alley and appeared alongside Sidney Poitier in the film The Mark of the Hawk; the following year, she co-starred in two more films, the W.C. Handy biopic St. Louis Blues (with Nat King Cole) and Anna Lucasta (with Sammy Davis Jr.). In 1959, Kitt left RCA and joined her producer David Kapp's new Kapp label; many of her recordings there were updated versions of her past successes. In 1960, she began a five-year marriage to real estate developer Bill McDonald, which produced a daughter, Kitt McDonald. Kitt continued to record sporadically over the '60s, including the 1965 live set Eartha Kitt in Person at the Plaza, a fan favorite. In 1967, she replaced Julie Newmar as the sultry villain Catwoman on the Batman TV series, which remains her best-known role as an actress.

It was not to last, however. In 1968, Lyndon and Lady Bird Johnson invited Kitt to a celebrity women's luncheon at the White House to offer her views on inner-city youth. Taking the event seriously, not as a publicity stunt, Kitt pointedly criticized the Vietnam War and its impact on poor minorities. An infuriated Johnson put out the word that Kitt's rudeness had reduced the First Lady to tears, and Kitt found herself essentially blacklisted across the country — afraid of incurring the government's wrath, venues simply refused to book her. It was later revealed that Kitt was made the subject of a secret federal investigation; her house was bugged and she was tailed by Secret Service agents. When the FBI failed to find evidence that Kitt was a subversive, the CIA compiled a highly speculative dossier that attempted to portray her as a nymphomaniac. Unable to find work in America, Kitt moved to Europe, where she would spend most of the following decade. In 1974, she courted controversy once again by touring South Africa; although she performed for white-only audiences, her show was racially integrated, and she raised money for black schools by selling autographs.

Kitt finally returned to the U.S. for good in 1978 as a cast member of the Broadway show Timbuktu, an all-black adaptation of Kismet. The audience greeted her with a standing ovation, and she went on to earn a second Tony nomination; President Carter even welcomed her back personally. Her career in America rehabilitated, Kitt returned to the cabaret/supper club circuit, and also revived her film career starting in the late '80s, appearing in comedies like Erik the Viking, Ernest Scared Stupid, and Eddie Murphy's Boomerang. She recorded a series of albums for the ITM label during the '90s, and earned a Grammy nomination (Best Traditional Pop Vocal Performance) for 1994's cocktail-lounge set Back in Business on DRG. She also continued her acting career, and toward the end of the '90s she moved into voice-over work as well, appearing in the animated series The Wild Thornberrys and the Disney film The Emperor's New Groove. In 2000, she received a third Tony nomination for her work in the musical drama The Wild Party. ~ Steve Huey, All Music Guide

Kitt died from colon cancer on Christmas Day 2008, at her home in Weston, Connecticut. Her daughter, Kitt Shapiro, discussed her last days with her mother:

"I was with her when she died. She left this world literally screaming at the top of her lungs. I was with her constantly, she lived not even 3 miles from my house, we were together practically every day. She was home for the last few weeks when the doctor told us there was nothing they could do any more. Up until the last two days, she was still moving around. The doctor told us she will leave very quickly and her body will just start to shut down. But when she left, she left the world with a bang, she left it how she lived it. She screamed her way out of here, literally. I truly believe her survival instincts were so part of her DNA that she was not going to go quietly or willingly. It was just the two of us hanging out [during the last days] she was very funny. We didn't have to [talk] because I always knew how she felt about me. I was the love of her life, so the last part of her life we didn't have to have these heart to heart talks.

She started to see people that weren't there. She thought I could see them too, but, of course, I couldn't. I would make fun of her like, 'I'm going to go in the other room and you stay here and talk to your friends.'"

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