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MűfajRock
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RólPerfecting their power pop rock since the mid-'90s, New Jersey's Saves
The Day calls it like it is. They refrain from characteristic pogo-pouncing
anthems for their own quirky post-punk and energetic live shows. Chris
Conley (vocals), Eben D'Amico (bass), Ted Alexander (guitar), David
Soloway (guitar), and Bryan Newman (drums) made their debut with
1997's Can't Slow Down with production work from Steve Evetts
(Sepultura, Dillinger Escape Plan, Sick of it All). Through Being Cool
followed two years later, gaining a wider fan base and critical success
among select punk markets, however Saves the Day changed things up
for 2001's Stay What You Are. Their third installment, and first release for
Vagrant Records, Stay What You Are brought Rob Schnapf (Beck, Elliott
Smith, Toadies) to the mixing boards for a more structured punk rock
effort. In Reverie, the band's first for DreamWorks, followed two years
later.
by MacKenzie Wilson
from: www.allmusic.com
The Day calls it like it is. They refrain from characteristic pogo-pouncing
anthems for their own quirky post-punk and energetic live shows. Chris
Conley (vocals), Eben D'Amico (bass), Ted Alexander (guitar), David
Soloway (guitar), and Bryan Newman (drums) made their debut with
1997's Can't Slow Down with production work from Steve Evetts
(Sepultura, Dillinger Escape Plan, Sick of it All). Through Being Cool
followed two years later, gaining a wider fan base and critical success
among select punk markets, however Saves the Day changed things up
for 2001's Stay What You Are. Their third installment, and first release for
Vagrant Records, Stay What You Are brought Rob Schnapf (Beck, Elliott
Smith, Toadies) to the mixing boards for a more structured punk rock
effort. In Reverie, the band's first for DreamWorks, followed two years
later.
by MacKenzie Wilson
from: www.allmusic.com
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