There's a place at the edge of the sky
Where there's a love deep as it is wide
The weak are strong, the hungry are all fed
And there's a breeze from the angels flying overhead
Oh yeah
And there's a path, a glorious light
That guides you up the mountainside
And at the top, if you could you'd cry
Cause you see pure love for the very first time
Deep as it is wide
Every breath taking me closer
Every step leading to paradise
They say the faithful get to go there
I believe there's a love
Deep as it is wide
And I hear, when you get to the river
You look back for the very last time
And when you cross, you get washed off forever
Hurry up boy, eternity's on the other side
Deep as it is wide
Every breath taking me closer
Every step leading to paradise
They say the faithful get to go there
I believe there's a love
Deep as it is wide
I believe there's a love
Every nation, color and creed
Like grace pouring out, far as the eye can see
Singing praises up to a King
Cause He died, for a crown
Deep as it is wide
Every breath taking me closer
Every step leading to paradise
They say the faithful get to go there
I believe there's a love
I believe
I believe there's a love
I believe there's a love
Deep as it is wide
Deep as it is wide
Deep as it is wide
There's a place at the edge of the sky
Where there's a love deep as it is wide
Where there's a love deep as it is wide
The weak are strong, the hungry are all fed
And there's a breeze from the angels flying overhead
Oh yeah
And there's a path, a glorious light
That guides you up the mountainside
And at the top, if you could you'd cry
Cause you see pure love for the very first time
Deep as it is wide
Every breath taking me closer
Every step leading to paradise
They say the faithful get to go there
I believe there's a love
Deep as it is wide
And I hear, when you get to the river
You look back for the very last time
And when you cross, you get washed off forever
Hurry up boy, eternity's on the other side
Deep as it is wide
Every breath taking me closer
Every step leading to paradise
They say the faithful get to go there
I believe there's a love
Deep as it is wide
I believe there's a love
Every nation, color and creed
Like grace pouring out, far as the eye can see
Singing praises up to a King
Cause He died, for a crown
Deep as it is wide
Every breath taking me closer
Every step leading to paradise
They say the faithful get to go there
I believe there's a love
I believe
I believe there's a love
I believe there's a love
Deep as it is wide
Deep as it is wide
Deep as it is wide
There's a place at the edge of the sky
Where there's a love deep as it is wide
song info:
Verified yes
Språk
GenrePop
Rang−
Varaktighet00:04:35
Topplistor
Upphovsrätt ©Spirit Music Group, Kobalt Music Publishing, Warner Chappell Music
FörfattareEric Paslay
Texter licensierade avLyricFind
TillagtAugust 5th, 2013
Senast uppdateradMarch 6th, 2022
OmHow Mercy Looks from Here is the fifteenth studio album from contemporary Christian music singer and songwriter and recording artist Amy Grant. The album was released by EMI CMG and Sparrow Records on May 14, 2013. The album is produced by noted producer Marshall Altman, marking his first collaboration with Grant. The first single released in support of the album is "Don't Try So Hard", a faith-based ballad featuring James Taylor singing harmonized background accompaniment.
This album is dedicated to Grant's late mother, Gloria Grant, whose struggle with dementia and subsequent death inspired many of the album's lyrics. In addition, the album was produced by Marshall Altman.
Andy Argyrakis of CCM Magazine, told that the release contains "several reflective, contemplative and wisdom filled tales". To this, Christian Music Zine's Joshua Andre called these "songs with stories that are very close to her heart." Michael Dalton of The Phantom Tollbooth found the music to be "somewhat rustic, laid-back music fits well with the homespun sentiments", which are "honesty, affirmation and love", yet at the same time "it is also sobering and wistful." In addition, Bert Saraco of The Phantom Tollbooth wrote that "How Mercy Looks from Here is a statement of life right now, with observations about life, faith, death, and contentment", which "the tracks are well crafted and solidly produced by Marshall Altman."
At Indie Vision Music, Jonathan Andre noted the fact that the listener is "encouraged to make our relationship with God a priority through these 11 tracks." In tone, Kevin Davis alluded to how this release has a "somewhat somber tone", which this "is quite soothing and many of these songs are lyrically profound", and the effort "soothes, moves and challenges listeners" because it is done "with relatable lyrics, incredible singing and prayerful themes". Mike Pueschell of Worship Leader told that her "wisdom and life experience ring loud and clear in this body of work." At Cross Rhythms, Lins Honeyman told that the release "captures something of the spiritual, vocal and musical maturity that has come from over 30 years in the business." Lastly, Honeyman noted that "whilst Grant has enlisted the help of some celebrity buddies their involvement is sufficiently low key not to take away from what is essentially another seasoned and skilled performance from the artist herself." In agreement, Saraco felt that "guest artists include James Taylor, Carole King, Sheryl Crow, Eric Paslay, Vince Gill and Will Hoge none of whom upstage Grant."
How Mercy Looks from Here has received acclaim by sacred and secular music critics alike.
At Allmusic, Steve Leggett suggested that "the songs glow with the gentle redemptive wisdom that is her strong point as a songwriter and singer." At CCM Magazine, Andy Argyrakis proclaimed that "the revered veteran is also at yet another creative peak punctuated by authentic vocal delivery, understated but sophisticated production". Christian Music Zine's Joshua Andre affirmed that the release "will surely be a classic in many, many years." At Cross Rhythms, Lins Honeyman called "this one of her most satisfying releases in her long career." Jonathan Andre of Indie Vision Music vowed that this is "a gem to listen to" that "is a standout album" because it is a "inspirational and meaningful album!"
At Jesus Freak Hideout, Bert Gangl claimed that the release "offers proof of the most endearing kind that, even with so many milestones, heartaches and lessons learned behind her, the well of passion and insight that first inspired Grant to write down her deepest thoughts and share them with the world at large shows no sign of running dry any time soon." Louder Than the Music's Cathy Bruce told that what makes this album so great is "the stories contained in these tracks and this is a great return after so many years." Kevin Davis of New Release Tuesday evoked how this "is a profound listening experience and a very solid return from one of Christian music's most beloved stars."
The Phantom Tollbooth's Michael Dalton called this album "more rewarding" than her previous works. In addition, Bert Saraco of The Phantom Tollbooth felt that "the result is a generally more even-toned album of music for grown-ups." At USA Today, Elysa Gardner said, "Grant's voice has never been technically impressive; but her singing has an easy grace that's well served by these songs of love, loss, faith and resilience, which benefit from Marshall Altman's spare, glowing production." At Worship Leader, Mike Pueschell felt that the release did not contain any "filler," saying that "these songs are the breath of her life" and that Grant "hit the nail on the head."
For the Billboard charting week of June 1, 2013, How Mercy Looks from Here debuted at No. 12 on the Billboard 200 chart with 26,000 copies sold, making it her highest debut on the chart since her 1997 album Behind the Eyes. How Mercy Looks from Here also charted at No. 10 on the Top Digital Albums chart, and became Grant's record 16th chart-topping album on the Christian Albums chart.
Digital bonus deluxe edition tracks
Free
Faith
Target edition
Threaten Me With Heaven
This album is dedicated to Grant's late mother, Gloria Grant, whose struggle with dementia and subsequent death inspired many of the album's lyrics. In addition, the album was produced by Marshall Altman.
Andy Argyrakis of CCM Magazine, told that the release contains "several reflective, contemplative and wisdom filled tales". To this, Christian Music Zine's Joshua Andre called these "songs with stories that are very close to her heart." Michael Dalton of The Phantom Tollbooth found the music to be "somewhat rustic, laid-back music fits well with the homespun sentiments", which are "honesty, affirmation and love", yet at the same time "it is also sobering and wistful." In addition, Bert Saraco of The Phantom Tollbooth wrote that "How Mercy Looks from Here is a statement of life right now, with observations about life, faith, death, and contentment", which "the tracks are well crafted and solidly produced by Marshall Altman."
At Indie Vision Music, Jonathan Andre noted the fact that the listener is "encouraged to make our relationship with God a priority through these 11 tracks." In tone, Kevin Davis alluded to how this release has a "somewhat somber tone", which this "is quite soothing and many of these songs are lyrically profound", and the effort "soothes, moves and challenges listeners" because it is done "with relatable lyrics, incredible singing and prayerful themes". Mike Pueschell of Worship Leader told that her "wisdom and life experience ring loud and clear in this body of work." At Cross Rhythms, Lins Honeyman told that the release "captures something of the spiritual, vocal and musical maturity that has come from over 30 years in the business." Lastly, Honeyman noted that "whilst Grant has enlisted the help of some celebrity buddies their involvement is sufficiently low key not to take away from what is essentially another seasoned and skilled performance from the artist herself." In agreement, Saraco felt that "guest artists include James Taylor, Carole King, Sheryl Crow, Eric Paslay, Vince Gill and Will Hoge none of whom upstage Grant."
How Mercy Looks from Here has received acclaim by sacred and secular music critics alike.
At Allmusic, Steve Leggett suggested that "the songs glow with the gentle redemptive wisdom that is her strong point as a songwriter and singer." At CCM Magazine, Andy Argyrakis proclaimed that "the revered veteran is also at yet another creative peak punctuated by authentic vocal delivery, understated but sophisticated production". Christian Music Zine's Joshua Andre affirmed that the release "will surely be a classic in many, many years." At Cross Rhythms, Lins Honeyman called "this one of her most satisfying releases in her long career." Jonathan Andre of Indie Vision Music vowed that this is "a gem to listen to" that "is a standout album" because it is a "inspirational and meaningful album!"
At Jesus Freak Hideout, Bert Gangl claimed that the release "offers proof of the most endearing kind that, even with so many milestones, heartaches and lessons learned behind her, the well of passion and insight that first inspired Grant to write down her deepest thoughts and share them with the world at large shows no sign of running dry any time soon." Louder Than the Music's Cathy Bruce told that what makes this album so great is "the stories contained in these tracks and this is a great return after so many years." Kevin Davis of New Release Tuesday evoked how this "is a profound listening experience and a very solid return from one of Christian music's most beloved stars."
The Phantom Tollbooth's Michael Dalton called this album "more rewarding" than her previous works. In addition, Bert Saraco of The Phantom Tollbooth felt that "the result is a generally more even-toned album of music for grown-ups." At USA Today, Elysa Gardner said, "Grant's voice has never been technically impressive; but her singing has an easy grace that's well served by these songs of love, loss, faith and resilience, which benefit from Marshall Altman's spare, glowing production." At Worship Leader, Mike Pueschell felt that the release did not contain any "filler," saying that "these songs are the breath of her life" and that Grant "hit the nail on the head."
For the Billboard charting week of June 1, 2013, How Mercy Looks from Here debuted at No. 12 on the Billboard 200 chart with 26,000 copies sold, making it her highest debut on the chart since her 1997 album Behind the Eyes. How Mercy Looks from Here also charted at No. 10 on the Top Digital Albums chart, and became Grant's record 16th chart-topping album on the Christian Albums chart.
Digital bonus deluxe edition tracks
Free
Faith
Target edition
Threaten Me With Heaven
Album Detaljer
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